JOANNE GIESBRECHT Representational Artist

Meet our new puppy, Aspen. She is a Mastweiller - a cross between a Mastiff and a Rottweiler, with a very sweet temperament. At 4 months old, she’s 43 pounds, and if you could see the size of her paws, you’d know she’s going to grow to be a very big dog. This is the 9th dog we’ve had over the years. And she will be, by far, our largest dog. Her parents are both brindle in color, but her looks favor the Rottie in her. Our 4th dog was a purebred Rottweiler that we loved, so when Aspen was born, we claimed her out of the litter of 10 puppies. No regrets…she’s a great companion to our miniature Aussie, and she adores our cat as well.
Which brings me to the topic of this blog post. When I was growing up, my mom used to talk about the “dog days of summer”, usually in August, when the temperatures soared and everyone was uncomfortably hot and sticky. I asked her what the term meant, and she would repeat what had been handed down to her as folklore: the hot, dry days of summer where even the dogs lazed around and didn’t feel like eating. Because of how hot the last few days have been, and because it’s August, the thought of my mom and her odd sayings came to mind.
So I looked up what “the dog days of summer” ACTUALLY meant. The topic is fascinating. And it does relate to hot days, includes August, and is centred around a dog - but not the way in which my mom had been taught. Here’s a link if you want to read up on it. It’s a short and very interesting read, which helped me see how rooted in ancient mythology many of our oldest sayings are! By the way, do you have any strange phrases your relatives used that don’t seem to make much sense? I’d enjoy hearing about them…and I think it would make a very interesting topic for a book! https://www.almanac.com/content/what-are-dog-days-summer

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pets
interesting facts

Do you find yourself wondering where to find inspiration for your next painting, next collection/series of work, or just inspiration to “keep at it”? Over the years, there have been times when I’ve struggled as an artist, where I needed inspiration to pick up a pencil or paint brush. That’s when it’s helpful to be able to run through a list of things which brings motivation and momentum.to my creativity. Here are a few ideas for you:

1. REFERENCE PHOTOS
Take lots of photos everywhere you go: busy streets, cafes, in your home, of your pets, of people in different lighting, different poses - wherever you are, take pictures. When you are searching for your next idea for a painting, go through those photos. Group them into categories like people, pets, architecture, trees, flowers, etc. One of the categories will be of interest to you, and within that group you may find the perfect subject to paint. If you don’t have the perfect shot for what you want to do, there are websites online which offer free reference photos that may have a better picture of the subject you want to work with.

2. GO!
Get out of your house and go- for a walk, for a drive, for a hike in nature, to a museum, to an art gallery, to a library, to meet friends for a coffee, for a vacation, or for a trip. Just leaving your home, meeting with others, having conversations, seeing new places, being in nature - all these things will bring new energy to your soul, and fill your sails with fresh energy and inspiration. Seeing artworks in a gallery or a museum will remind you of how wonderful and noble the pursuit of being creative truly is - and inspire you to reach further and give more effort to your creativity.

3. APPROACH OTHERS
If you are hoping to get into a gallery, then go to that gallery (physically if possible) and talk to the representative there. Find out what it will take for you to be represented by them, and use that as inspiration to work toward the goal.
If you love another artist’s work, approach that artist, either in person or online. Most artists are very willing to answer questions as they have also experienced the struggle for inspiration.
Approach other artists you know and see if you can create a group to meet regularly to learn from and encourage one another. Creating art is often a solitary pursuit, so getting together with other creatives and discussing highs, lows, what everyone is working on, etc. is really inspiring.

4. LEARN FROM OTHERS
One piece of advice you will see over and over is to learn from the Old Masters. There are so many resources where you can access the work of the greats like Bouguereau, Vermeer, Rembrandt, Velázquez, Caravaggio, etc. and other less known but great artists like Fortuny and Lawrence Alma-Tadema., and more moderns like Wyeth. Investigating the old masters will give you many insights and perhaps lead you to a new path of creativity. You can buy reference books from websites like Art Renewal Centre, or dvd’s and instruction videos from artists who are considered modern masters like Scott Burdick, David Kassan, Susan Lyons and others. Investing in a course could also give you fresh inspiration, and may give you new ideas to incorporate into your work. There are a number of pay-per-month websites you can buy memberships in - like Patreon, Skillshare and others. These sites offer you the opportunity to see how another artist thinks and what their process for creativity is, and to participate in projects they teach.

5. TRY SOMETHING NEW
Get a sketchbook, and just try to draw/sketch what you see in ink, or in pencil, or in crayon, or in paint…something you are not normally inclined to do. Take instruction books out of your local library, and try one or two of the artist’s projects. Try a different medium - charcoal, pastels, inks, or do something on a different surface - paper instead of canvas, cardboard, wood panel, yupo, collage instead of realism, abstract instead of representational. You never know what will happen when you change things up!

I hope you can see there are so many ways to become inspired. Take time every day to be creatively encouraged in some way - with podcasts, meditation, a quiet time of reflection, a slow walk in a near by park, coffee with a friend, reading a book, sketching, journaling or some other meaningful activity you enjoy. Soon you will have many ideas for future projects - just make sure you write them where you can find them again!

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A DRAWING PRACTICE

5/9/2023

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“GUS” pencil drawing in my sketch book

There are so many times I have read that in order to improve my paintings, I first need to know how to draw. And, to improve my drawing skills, I should have a drawing practice. So, in the last couple of months, I have begun to draw on a regular basis.
Have you ever wondered what the benefits of a practice are? Me too. Especially if I keep making the same errors over and over, without knowing how to fix them. And that’s where resources, observation and perseverance walk into the picture.
At first, it was difficult and time consuming to practice drawing on a regular basis. We are all busy people, trying to keep many “balls in the air”. But my desire to improve was great enough to set aside time to draw, and gradually, it has become a peaceful and calming activity, a space of time where I can think and reflect without guilt or censure. That’s worth a lot, even without any other benefit.
Our time is valuable, but I have found unless I deliberately invest this resource of time in all aspects of my art, there is more frustration and less movement forward toward the things I want to achieve. That investment of time has also meant borrowing or purchasing good resources which I can read, which have suggestions and exercises which help me to see in ways that enable me to improve, and encourage me to keep on practicing. One such resource which has helped me greatly is this drawing course based on the Charles Bargue method.

This course taught me to see and pay attention to angles and proportion. It also helped me more accurately determine the value of my shading - whether the area needed to be dark, light or something in between - and how to achieve that.
Another book I recently bought is The Path of Drawing by Patricia Watwood. The exercises in this book give variety and encouragement to explore and experiment, like you might have as a child! And that has been fun. (Is drawing allowed to be fun??? LOL)

Another fun thing to try is drawing everyday items with instruments. Drawing with pens, markers, crayons and paint can all be different experiences on the road to developing your style and accuracy. If I were to wear this shoe, I would need very short toes! I was too close to the middle part of my sketch book which had another drawing on the facing page…so I did what I could to complete the drawing. Nothing needs to be perfect!

And speaking of fun…here’s a book I think everyone can benefit from having and using…and it’s so true when Danny Gregory says “Aha! Bad drawings are the best teachers.”

I now believe that a practice of drawing has contributed to improvement in my paintings, and has added another facet to my artistic experience. It has freed me up to accept that perfection is not the goal. Practice, fun, restful activity, and gradual improvement are all benefits of drawing regularly. So buy yourself a cute little sketchbook, a pencil, pen, eraser, and just start. Don’t judge your work. Just keep practicing and you’ll fill up that little sketchbook and need another! When you look back on your drawings, you’ll have a record of your daily life, and you will see improvement. Develop a practice of drawing to be more creative - every day.

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WHEN BLACK ISN'T BLACK

5/23/2018

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On my blog I want to provide some tips and techniques for those of you who want to try painting, or are perhaps painters who would benefit from something I can share with you. So today, I want to tell you when black isn't actually black.

There are many tubes of black paint at your local art store with names like Carbon Black, Ivory Black, Mars Black Chroma Black, Lamp Black, Bone Black and several more. As well, each of these blacks will be either warm or cool in their tone. So how do you know which one to choose for your painting?

Well, my advice is don't choose any of them unless you absolutely need to. Let me explain...

Black out of a tube will create a very flat (dead) place in your painting most of the time. It is not a vibrant hue, and will read differently than the other hues you use in your painting. Currently, I am working on an eagle. Most of us think of eagles as black because we see them flying above us - as a silhouette. In reality, they are a very dark brown interspersed with other beautiful tones and colors. To start the painting, I painted the outline of the eagle in black out of the tube. Here is the beginning of the painting...

As you can see, the outline is a flat black. But when I began to fill in the eagle's features, I needed to create my own black which would be much richer, more vibrant, and would read more three dimensionally than the black from the tube. So, I created my own black by combining various colors together. This next picture shows you the "black" which I mixed being painted over the flat black. What a difference between the two colors!

I hope you can see just how much darker and richer the created black is than the flat black of the tube paint. There are so many combinations you can use to create your own black. You can add more of one pigment than another to lean it toward a blue, or toward a red, a brown and so on. Have fun! Play with some of these combinations, or create your own. Make sure you record each combination you use in a notebook, and paint a bit of your homemade black beside the pigment names so that you see the differences, and can choose the best one for your current painting.

One more thing that is important to realize, is that the black you use will be influenced by other colors in your painting. One black will look "off" while the next one will be "just right". So test the black you like best to make sure it works with the other colors you are using.

Here are some color combinations I have used which work well for me:

Ultramarine Blue + Burnt Sienna
Ultramarine Blue + Burnt Umber
a red + a yellow + a blue (try equal parts, then try more of one color than another to see what works for your black)
Quinacridone Magenta + Viridian Green + Burnt Umber (go lightly on the Viridian Green - it's very powerful)
Colors which are opposite on the color wheel can make a lovely black.

So these are a few of the formulas I use for my blacks. Try out a few, and create many more with experimentation. Don't forget to create some kind of a color chart to record your pigment combinations and the amount you used of each or the ratio of the pigments to each other. Believe me, you probably won't remember that color you created and loved the next time you go to mix it. (Learn from my mistakes. :-) Let me know if you prefer the created black to tube black. Oh, and when you make that just-right-black, make sure you make a large enough amount to do your painting. Matching a created black can be a bit tricky!

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RELUCTANCE

5/6/2018

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Reluctance...for me, as an introvert, I experience this emotion on a regular basis, in
many areas of my life. I think you would understand if I said I don't let this feeling overwhelm me nor keep me from doing most things, but it is part of my life that I need to recognize and address most days. This blog is one example. I feel the push and pull of reluctance each time I think that I should write a post and let you know about materials I have discovered, tips I have to share with you, or tell you what's been going on in my art and my life recently.
I used to blog faithfully years ago when my blogspot site was up and running. Back then I knew that people actually read my posts and followed the blog to learn techniques, to get tips in painting, drawing, to see my work in progress and completed, and so on, as they commented or emailed me questions. Now, I'm not sure anyone really reads or follows blogs anymore. It's hard to tell if anyone even wants or needs what I have to give...unless, of course, they make a comment, or contact me.
I am so grateful to the people who have made comments on this blog and encouraged me in this way to continue. The most precious thing I have to offer anyone is my time and my energy, and those are exactly the elements being a regular blogger needs. So, I have decided I will begin to blog more frequently over the next few weeks, and if you are enjoying the information, or are encouraged by any of the tips I give, please consider making a brief comment so that I know you are there. :-)
Today, I decided to post a beautiful photo I took of some tulips I bought, just because spring has truly arrived, and to tell you about a challenge I have given myself. Perhaps it is a challenge you might consider as well.
I signed up for a free online workshop last month, called Sketchbook Revival, which was absolutely the most wonderful encouragement a sketching artist could receive! The workshop ran over a period of 12 days, with 2 sessions each day where artists shared their sketchbooks, as well as fresh inspiration, new ideas, and great momentum. I loved every minute of it, and found myself ready to focus on my sketchbook practice in a new way.
In thinking what I could begin with, I thought about when in my day is the best time to sketch, and found it is first thing in the morning. So...after I make my morning coffee, I head down to my studio with filled mug in hand, sit at my desk, and open a small sketchbook I have entitled "Drinks". There, on each page, I sketch my morning coffee. I have decided that I will sketch my morning coffee for 30 days. I am dating each page so that it will be obvious if I miss a day, and writing a sentence about what is ahead in the day.
Now, I only have 3 mugs for my coffee, so this might get a bit boring before the end of the month. (I try turning the mug each day to draw a different angle.) BUT, I am getting much better at ellipses, at being comfortable with mistakes (especially if I draw with ink instead of a pencil first), and at making art a part of every single day even if it is only in a small way. Sometimes, I don't have time to paint the mug, but I can come back to it later if I need to or want to. I also thought I would try different mediums to create color...for example I used black ink and water to create the values on one page. Watercolor and acrylic work well of course, but also crayons, conte crayons, pens, colored pencils, graphite, markers...such a variety of choices!!! Gets me excited just telling you about all the possibilities.
Here is a photo of one of the pages I plan to go back to so that I can fill it with color. Perhaps tonight after dinner... Anyway, I wanted to let you know that a simple sketch of a familiar object can be the jumping off point for getting yourself into the practice of incorporating art into your life in a regular way. And you KNOW that after 30 days of really looking at something and paying attention to shape and line, that you are going to make better drawings of it on day 30 than day 1. I heard of a student who, when he graduated from art school, drew and painted only apples for one whole year. After that year, he said he could paint and draw anything based on what he learned through that disciplined act.
So, what do you think? Are you going to take up the 30 day sketching challenge? Just one day at a time, one week at a time, one month! Let me know, and we'll cheer each other on!

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LEARNING TO LET GO

2/18/2018

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When we were in Spain a couple of years ago, I had the privilege of seeing an exhibit of Andrew and Jamie Wyeth's art. I was impressed by the number of pieces the museum had in the exhibit...but more than that, I was shocked at the many works which were on scraps of paper, on cardboard, plywood, butcher's wrapping paper, and anything else that was at hand. As well, it didn't matter to either father or son what medium they were working in...pencil, pastel, watercolor, oil and so on...it was all there, without prejudice for one over another.

The strongest impression I retained from that exhibit was that you do not have to have all the latest equipment, gadgets, brushes, paints, pencils and holders, and ad infinitum, to create. You do not have to be accomplished at drawing, painting, sketching, etc. to start. What you DO have to have is the courage to let go - let go of expectations, let go of fear of failure, fear of not receiving approval, fear of your art not looking like others' art...and a hundred other fears. You just need to let go.

Sounds simple, right? Not so. Letting go of fear and expectation is one of the hardest things an artist has to do. In taking the next few months to explore and to learn, I've found the first step for me is to learn to let go. If I fall, I can get up. If I am unhappy with results, I can try again and do something differently. As a bit of a perfectionist, I am exerting quite a bit of energy to build those "let-it-go" muscles. It's a slow process. But I'm seeing some movement. That's encouraging. Sort of. It might get easier sometime in the future. Right now, it feels like a big risk. One that I am willing to embrace.

I loved a series in the exhibit, which is also in the book above, called The Seven Deadly Sins, painted in 2008. It is of seagulls...each painting demonstrating one of the 7 deadly sins mentioned in the Bible. I "loosely" drew a rendition of a couple of these in my sketch book, not thinking about whether they were perfectly like the original, but just feeling the rhythm of the pencil, looking at the composition and line, and trying to shut off the critical voice in my head that seems to constantly be on high alert. I'm posting the sketches here as a let-it-go exercise. Building those muscles. It kind of feels...ummm....okay!

Learning to let go.

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SO MUCH TO LEARN

1/17/2018

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I'm back from Spain, and getting over jet lag! We had such a wonderful visit with our kids and grandkids that it was hard to leave, even after almost 6 weeks. We did a LOT in the time we were there: a trip to Granada (where we explored for a week, including the Caves of Nerja, touching the waters of the Mediterranean, and an afternoon at The Alhambra), a trip to Toledo, several trips into Madrid, and so much more!

During a couple of those Madrid days, we went to two world famous museums. The Thyssen Museum had a special exhibit of Picasso and Toulouse Lautrec. At first, you might not place these two artists together, but it was fascinating to see how so many of their pieces were similar in several ways! It was a very interesting exhibit.

The second museum was the trip which excited me the most...visiting the Prado has been such a wonderful experience every time I've been there that I can't wait to go back! This time, the special exhibit we experienced was the works of Fortuny. Oh. My. Word. This artist was amazing!!! He was a master of so many art forms...watercolor, oil, charcoal, pencil, lithograph, and on and on. The exhibit had an incredible number of his works from his very earliest to his last - paintings, sketches, drawings, journals, and lithograph prints - that it took hours to go through the exhibit. It was truly wonderful...I could have stood in front of two or three pieces for hours! After the exhibit, there was no question I would buy the book "Fortuny (1838 - 1874)"!!! As I thumb through its pages, I am reminded of the feelings Fortuny's pieces invoked in me as I looked at the life work of one artist who lived such a short number of years.

Every time I visit these museums, I comb though the bookstore. And, believe it or not, I buy these extraordinarily heavy, approximately 400+ paged histories of various artists to bring back home. I am willing to pay extra charges for overweight baggage if need be, to have these books in my collection. Why? Because it is a proven way to learn and become a better artist to study the Old Masters! And I have so much to learn! These are the 4 books (pictured above) I brought back this time...the Rembrandt and Carrivaggio are smaller books in dimension - still around 200 pages of photos of paintings and information about the artists. The Ingres and Fortuny are both written in Spanish, but that's okay, because it is the photos of the paintings I will be examining and learning from. Other books in my collection include William Bouguereau, Andrew and Jamie Wyeth, Picasso, Michalamgelo, George Barque and a few others...enough to last me far more than this year! Each artist has something to teach me, and I have my favorite drawings and paintings, patterns and colors of mixed paints which I will be working toward. Lots of hours ahead just trying new things, without any true expectations of end result. I want to enjoy the process.

I've been reflecting for weeks on what I would like to achieve in my art this year. I have finally chosen what some people call a "guiding word" for the year: FOCUS. I am going to focus on learning from the Old Master artists in my book collection. I am going to focus on learning from several resources I have, but have not taken full advantage of yet. And, I plan to focus on playing, exploring, trying new things, improving, revising technique, drawing and painting those things which have been in the background of my thoughts and plans for far too long. I'll post my sketches, drawings, paintings, whether they are successful or not-so-successful. (I refuse to call anything I do a failure, because it teaches me so much each time I don't achieve what I set out to do!) So, it's going to be a very different year for me, I think.

Of course, I will have to focus on balancing the "rest of my life" with the time spent in the studio. I live in such an incredible part of the world that it would be next thing to criminal to not get out, barefoot, on the beaches, hike the many trails close by, and enjoy the inspiration of ocean and mountain in my own backyard! I have a sister who is currently not well, and requires some of my time also, so I will factor that into the balance of life.

In many ways, I am a person who finds it difficult to make a plan and stick to it. My daughter thinks I may be ADD - in a creative way of course! For example, if I have a menu plan for the week, I rarely end up following it...I just don't feel like making that dish on that night, or eating that breakfast that day of the week...it feels too constrained and restricted. The same with following a recipe...I always seem to change it in some way. So, we shall see how my plan for my art in 2018 progresses. It's going to be a challenge and I think it will prove interesting in ways I can't anticipate.

So...here's to 2018! May your days be creative and move you toward your goals in life, as I hope mine will.

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FLYING SOON!

11/20/2017

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These Birds of a Feather will soon be flying out the door, and into Salish Sea Market gallery, along with 15 more. These are original 5" x 7" art cards, which I have done in acrylic on prepared 300 lb. watercolor paper. They are quite beautiful, especially when popped into a frame!

Not only art cards will be flying out the door, though. In exactly two weeks from today, Syd and I will begin our journey to Spain!!! Yes...we are going to be with my daughter and her family for December and part of January...SO EXCITED!

It's the most wonderful time of the year! :-)

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